Saturday, October 8, 2016

The Million Faces of God

        The novel, "American Gods," by Neil Gaiman, explores the idea of interpretation defining how a person, or in this case, mythological beings, can be remembered or become. One figure or action in history can be interpreted many different ways by different parts of the world or different mindsets of people. A law passed to provide extra security may be seen as saving lives by one group of people, but as destroying personal rights and liberties by another group. Through showing multiple physical incarnations of these gods, each both strange and familiar because of people's own vision of how they believe the entity should be, the book is able to deliver an amazing amount of contemplation and argument for different people who read the story.


        Throughout this novel there are multiple versions of the various gods from different cultures, exploring the idea of interpretations; not just from different cultures but even as specific as different morality structures. For example, the Mr. Wednesday interpretation of Odin the All Father Norse God is a deceiving manipulator who teams up with the equally dastardly Loki, the god of lies and schemes. However, later in the book we are introduced to a more traditional, respectful version of Odin created by a separate group of believers. These two versions are both just as much the entity, "Odin" as the other, but their interpretation makes them figuratively, (and for our story literally) two different gods.

          I found this to be a very enjoyable read with a multitude of different ways to interpret its story and morals. It was interesting how the story attacked the creation and continuation of gods, a sort of "living through memory" system that I found of particular interest. The overall plot itself was good, perhaps a little predictable in terms of "dramatic reveals," but it was still able to hold my interest while conveying messages of how one's interpretation defines how events are remembered. Being Armenian myself, this topic spoke to me personally, as my race has often battled against being forgotten by history after its tragic genocide many years ago. I am referring to the Armenian genii use from the Turkish military, with its two major interpretations, one being the truth: genocide. The other being the propaganda taught by the Turkish government to this day: that the "death marches" were merely attempts to relocate Armenians away from the front in wwi; all the while stealing their land, property, and their lives.


            However, needless to say, the book contained enough interesting ideas in it to arise many questions out of me even without direct prompt from the text, and I look forward to further readings from this author.

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